The
Two Props...Structures To Generate Debt & Antiquities??
Matt
Damon cameo In The Great Wall 113/220/293 Conceptualistically
(113/157 Mainstream) (166/239
Preconceptional,
Premanufactured)
(193/239
Superinfluencing)
(139/239
False Knowledge,
Melodramatised)
(131/166
Programming,
Humiliation)
(131/220
Inconvincible)
(131/193
Illusionable)
(112/131
Fraudster)
(113/22
Bemock)
(Org/ROrg
318/438=159/219
Hyperridiculously,
Uncontradictableness
(159/192
Substanceless,
Counterfeiter,
Immortalising,
Propagandists)
An
American In
The Great Wall 90/108/234
Improvisatorially
(144/180
Nonauthentic,
Exploitatory)
(108/189/243
Sensationalistic)
(Org/ROrg
282/366=141/183
Fictionizing.
Superscripts (114/183
Choreograph,
Performance)
Non-Chinese
In The Great Wall 171/261
Uncreditableness (62/216
Premanufacture) (117/126 Improvise,
Inconceivabilities)
(144/261 Amphitheatrical)
(162/189
Preconspiracy) (135/189
Preknowledge)
(117/261
Unauthoritativeness) (117/153
Deceptious) (126/126=36/36
Mockery)
(Org/ROrg 302/346=151/173
Conspirative,
Compromising (115/137
Overcapitalisation))
The
Great Walls Of China 81/99/207/225 Conspiratorially,
Supergravitating (90/99 Mockery (90/99/207/171 Superdubiously,
Proscriptively) (72/90/198/207
Questionability)
(207/333=69/111
Choregraphic, Anglicizing, This Is A Lie, Surrealistically)
(90/81/162/216 Premanufacture) (90/108/162
Hoodwinked) (54/81/135
Ridicule, Knockoff)
(Org/ROrg
227/313=949/626=994/226=142/38
Fakeries
(38/124
Laughter)
(83/142
The Great Deceiver,
Overcapitalisation)
(83/124
Theatricalization))
Nixon
at The Great Wall
Of
China
123/147/258
Mainstream
Media
Operation,
Psychological
Operation,
Nonauthenticated (147/258
Precongratulating)
(123/174
Facsimiles,
Sublimable,
Intentionalism,
Perpetuators,
Boondoggle)
(174/231
Superbelievably)
(147/213
Choregraphic)
(213/192
Resurrectionist)
( (132/165 Mythicalism,
Orchestrate)
(132/192
Propagandize)
(Org/ROrg
321/381=132/138
Preknowing,
Dishonesty,
Operations,
Controller,
Followings)
Skull
And Bone
58/68/130/194 Misleadingly,
Dumbfounding (77/94/194
Sensationalizing)
(68/94/194
Condescensiveness)
(77/130/194 Prepostorship) (76/95/194
Transcriptively)
(58/59/149
Provocation,
Staged
Prop)
(49/149/94
Nontruths)
(58/77/149
Brainpower)
(Org/ROrg 163/161
Impersonator
(136/161
Counterfeit, Trickstress)
(116/136
Orchestrated,
Awlessness))
Decode a giant inflatable replica.... (Org/ROrg 281/340)
Great
Pyramid Of Giza
102/96/210/258
Precongratulating
(123/201/258
Mainstream
Media
Operation)
(102/258
Nonauthenticated)
(51/96/201
Fabricative)
(96/123/201
Foreshadowed)
(102/96/201/231
Unconvincibility)
(Su/RSu
1206/1701=126/171=126/117
Improvise,
Deceivability
(171/261
Uncreditableness)
(Org/ROrg
213/273=123/273
Preacknowledgment)
(123/237
Counterequivalent,
Demonstrativeness,
Cheatableness,
Unscrupulously)
Two
movie reviews....one about the Great Wall of China and the other
about Skull and Bone and the Pyramid Of Giza. Both movies exposes the
two wonders of the world as a wonderful and magnificent achievements
by man but they aren’t ancient relics manufactured
thousands of years ago.
To
make these structures ancient...the perpetrators have to get their
creations into the limelights by the mainstream media’s injection
of realism by the entertainment and tourism roads. Nixon was used to
promote the Great Wall Of China which
caused the floodgate of tourist dollars to fuel the Debt Based
Economic Model. The same can be said for the Pyramid of Giza which
was used as a prop in the movie DESPICABLE ME which is an animated
feature and also uses the SKULL and BONE symbolism as pictured above.
The symbolism is used to highlight the fact that its the Freemasons
or Secret Societies that have the financial power to create their
MONUMENTS and also serves as a mockery tool which has to be
indoctrinated
into the people
otherwise there’s nothing for them to laugh at.
A
prime
example is Matt Damon and the Americans in the movie THE GREAT WALL.
He’s the obvious person to decode and
it
shows clearly that if people believe that the Great Wall Of China is
an ancient relic which it is used
to
mock and generate the mockery that fuels its creators with laughs.
One
movie was a terrible plot with cheesy CGI’s and questionable
casting of movie stars to fit the script...which it didn’t. The
other was a comedic animated feature with a funny plot and dialog
with fitting character voices and a well written script which is
entertaining. Do both movies have hidden messages injected into the
films that will fuel
their agendas??? One of them to generate money to fuel their
financial endeavours and the other is to generate a sense of
antiquities into their well built PROPS.
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