Schindler’s
List...A Movie In Which NO Jews Dies In The Holocaust?
Oskar
Schindler 75/87/156/222 Perceivability, Suggestionable
(66/78/141 Superscripts) (78/156/222 Nonexistentialism)
(66/96/165
Unimaginableness)
(66/78/165
Orchestration, Nefariousness)
(51/66/105/165
Preplanned, Directorial)
(Org/ROrg
170/208
Improvableness, Fictionization,
Dramatizations,
Conspiratorial,
Sensationalism (17/28
LIE))
Filmed
In Black and White 59/95/112/238 Cinemelodrama,
Imaginativeness,
Sensationalizing (158/166
Doubtfulness)
(59/166
Humiliation)
(104/166/212
Laughingstocks)
(112/95/211
Transcriptively)
(59/140/157
Scriptorial)
(95/121
Painless,
Harmless)
(Org/ROrg
892/872=223/218-223/182
The
Synagogue Of Satan,
Overseriousness
(223/128
Conceptualizations))
Black
and White 59/76/113/238 Cinemelodrama (50/67/113 Mainstream,
Hypnotizes, Not True) (49/50/103/130/113 Bull Shit, Operation,
Dishonest) (50/76/131 Unrealistic, Illusionable, Fictitiously,
Ridiculous) (59/67/131
Humiliation)
(Org/ROrg
168/183
Flatulentness,
Impersonation (138/186
Misdirection))
One
Thousand One Hundred 244/323=244/332=122/166=212/166
Laughingstocks (89/109/215/244 Impressionability)
(89/91/244 Hyperspeculatively) (100/98//233 Overexcitability)
(100/89/233 Superimprobable) (89/100/233 Uncorroboratively)
(Org/ROrg
297/270=99/90
Mockery)
Amon
Goeth 44/55/89/154 Fictional
(46/98/145 Ingenuine) (44/46/98/145
Laughings)
(37/98/145
Namelessness)
(37/44/64/98
Devise)
(44/46/154
Mockable)
(64/98/154
Conceptualized)
(Org/ROrg 95/148
Nonabusive
(59/148
Provocation,
Duplicitous))
Crimes
Against Humanity 96/183/249 Fictionalization
(69/114/183 Choreograph, Performance) (114/147
Mainstream Media Operation) (96/114/156 Exploitage)
(69/129/114 Scripture) (69/105/192 Mockingbird) (96/105/138
Pretender) (69/105/165
Preplanned, Directorial)
(Org/ROrg
236/331=236/133 Noninjuriousness)
Holocaust
48/129/114
Scripture (114/129
Psychological
Operation) (114/192
Mainstream
Media
Operation) (33/84/192
Substanceless)
(42/75/114 Cheatableness)
(48/114/129
Robotized,) (57/78/141
Superscripts)
(33/48/141/75 Untruths)
(48/129/141 Questioned)
(33/48
Woundless)
(Org/ROrg
76/167
Newsworthiness,
Fraudulency,
Conspirators
(76/176
Contrivable,
Conspiratress))
The
Schindler Jews Today
85/131/247
Indeterminable (112/185/247
Manipulatability,
Implausibilities)
(113/121/230
Characterized,
Supersuspicious)
(94/113
Mainstream,
Green
Screen,
Hypnotizes,
Superimprobableness)
(49/113
Dishonest,
Operation, Bull Shit,
DisInfo,
Bemock)
(113/211
Semianimated)
(Org/ROrg 268/299=286/299=22/23
Laugh,
Duped,
Fake
(22/32
Make Up,
Bemock)
Stone
On Tombstone
81/99/207/225
Conspiratorially,
Supergravitating
(63/36/90/99
Mockery) (63/108/180/252
Disembarrassment)
(63/99/117
Hoodwink)
(63/81/225
Deceivability)
(72/72/180/225
Distractibility)
(81/81/207/171
Superdubiously, Proscriptively)
(63/81/135
Ridicule)
(27/36/108
Acting)
(Org/ROrg
206/226=226/260
Contradistinctions (103/130/113
Bull Shit, Operation, Dishonest,
Superimprobableness)
(31/113
Bemock))
A
very
difficult movie to watch given the subject matter but the decode of
the word HOLOCAUST should shed some truth into the movie. Once known
that the holocaust was decoded as a PSYOP perpetrated by the
mainstream media...the movie was more bearable to watch. Oskar
Schindler was an non-human completely fictionalized as the hero of
the movie. The movie was filmed in black and white for gematric
effects that it had on the story’s
atmosphere. In my mind, the black and white gave the movie more
compassion for the sufferables and you want to believe that the
crimes done to the Jews were more believable and real. Oskar
Schindler could have done more than the 1,100 Jews saved buy it would
not have decoded as a mockery. That scene, in my mind, was staged to
be a mockery by the actors acting
out their script.
The
main antagonist was a German, Amon Goeth, who had the task of
perpetrating the mainstream media’s version of CRIMES AGAINST
HUMANITY whereby if you go by the numbers was an noninjurious affair.
The decode of HOLOCAUST rendered Amon as a fictional person doing
all his crimes to perpetuate the agenda of mind manipulation of the
masses and to steer their minds that whatever happens in this movie
MUST BE TRUE.
The
closing scene with the SCHINDLER JEWS TODAY placing stones on the
tombstone of Oskar Schindler was done to instill more sorrow and
compassion for the survivors of that PSYOP better known as the
HOLOCAUST. A moving and engaging movie meant to make you believe that
the HOLOCAUST was real and factual.
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